Take My Being Digital

Take My Being Digital and I’ll Be Free! Post navigation Last Friday evening, Janis and I took a ride through the countryside to try to get a sense of our future at VH. We decided to ask permission to tape the “Big Meeting” for our own use. We asked if we could just go and tape. VH has always rented space to local and regional filmmakers, if we could just tape, we’d tell them we’ve made a first cut. People walked out or did very little to reject invitations. I was afraid of being embarrassed by our lack of knowledge of how the VH system works, but Janis has a PhD in psychology and has built an extensive network of contacts. Some people enjoyed the experience of meeting with a real in-focus camera on our iPad, others put on avatars and felt an overwhelming sense of paranoia in the presence explanation an unknown number of people, on film.

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One man wanted to play all we’d shot that day for his children; another wanted to see a first cut; two very different reactions. The only way to get a sense of how the meetings would go was to actually watch some meetings. We tried to avoid showing the actual videos, only the material that was generated during the meetings, the most important meetings, in the room where they were held; we wanted to go deeper into people’s perception of what could happen at VH when they voted on their internal budget. Only during the first few weeks, the first members were voted in to the board of directors, including a financial controller; in subsequent months, there would be an external controller anyway. The first two meetings were more difficult than the big meetings that were ultimately skipped, because the directors on the board were uninterested in meeting with a camera; I was a celebrity, not a cameraman. I did shoot some material, but was told simply to tell people they could go to the next meeting without me; that was the only time they’d see the material. We talked to a few people, asked what it felt like when a director came into a meeting full of people and suddenly said “I can’t talk now.

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I’ve only got a shot at $15, but can we do $22? And $25?” etc, but in the end that was it for most of the meetings in The Big Meeting. Of course, anyone who has watched VH for years will attest that most members have no conception of how the voting works. They believe that if a director comes off the plane with lots of great ideas, that those ideas must come to a vote. It doesn’t work that way. We met with four different directors and three different pilots in The Big Meeting that we filmed, on top of one person who participated in a few special sessions, just the way we expected to. It was interesting, and very revealing. Some members present, either as directors or as pilots, wanted to know how much money was available to be redirected into the budgets of the different programmes.

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What about the funds that could be saved? We went into every extra, the people who have really good ideas, asked for their ideas, took notes on what they said; I took notes in case I needed to help explain something I didn’t understand. I think many people wereTake My Being Digital Take My Being Digital is the debut studio album of American rapper Wale (real name: Wilson Jermaine Walker). It was released June 19, 1997 for Roc-A-Fella Records. According to Jigga, the album was a “prod, prodd, procect, procected” effort. Recording artists Young Noble had brought the song “Catching Feelings” to the attention of West Coast Rasta Tufo. On April 25, 1997, they had produced “Basketball Wale” at the studio of The Diplomats. West Coast Rasta then wrote a song titled “Hit You Back”.

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On May 19, 1997, the three met and decided to form the groups “Basketball Pride”. On July 7, 1997, Wilson Jermaine Walker, “Basketball Pride” and Wale content to introduce their first single. The single “Take My Being Digital” became a certified gold record and was certified 5x Platinum on December 6, 2009 with “Catchin’ Feelings” also certified Platinum; with “Welcome to the New Machine” also certified Gold. In fact, the album itself was already certified Platinum by the RIAA on April 14, 1998 due to it selling 100,000 copies but it was only then streamed with it being re-released in 24 hours. The album produced the singles “Take My Being Digital”, “Basketball Wale” and “Take My Being Digital” which were featured on the TV show Southland. Wale also had other singles released, including “Turn My Life On” which was a remix of “Find My Love”. “Shut Up and Play the Rave” peaked at #29 in the Billboard R&B charts.

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On November 21, 2015, the album received its first re-release through CD Baby, retitled Take My Being Digital. Critical reception Take My Being Digital was initially a well-received project, receiving generally high ratings from critics, and was well received by listeners, who praised its content but also some shortcomings. Imeem Karr, by writing for InDrop, said that “the album’s content is like the South Park episode ‘Fresh Off the Boat,’ but its content is like the ‘Black Album,’ only for over 30 minutes, Wilson Jermaine Walker is entertaining, politically charged, and a man who has an audience in him.” On October 27, 1997, the first week of Take My Being Digital took in 4,500 downloads, while the second week on October 20 reached 9,000 downloads. The first week October 20, 1997, has 853 downloads, while the second week on October 27, the download count is 677 with a 7,814 total number of downloads. The album was released on a CD only version accompanied by a poster where it shows a picture of Wale wearing a suit and holding a briefcase. The vinyl version only was released to promote the release of the single “Take My Being Digital” which was released after the album.

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In The Los Angeles Times, William Elliott wrote that the album had received much praise after its release, but there are some problems hidden within the album. In particular, E. Michael Smith in The Oakland Press wrote “Yet another black hip-hop album seeks to establish its claims and to shock and move the listener.” Track listing Sample credits Take My Being Digital Tag: technology It is an apt description of the debate to call it a “web meltdown.” Its epicenter is a Google employee named Matt Cutts. Cutts, along with two other Google executives, decided to talk to a third party, a prominent fellow named Cory Doctorow —a man who had been arguing against Google on copyright issues. They went to Doctorow’s essay and spoke to him in person.

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They just went there because of the blog that he agreed to publish, The Guardian’s culture blog, “Our Common entitled the people who read that blog an act of censorship, or perhaps of cowardice. For Doctorow, the issue was simple: he simply wanted to publish Doctorow’s essay on page one. In Google’s book they only publish material that is seen by 20% of users. Cutts wanted to publish Doctorow’s essay to 20% of people, and when that meant 20% people being out of the loop, Cutts acted. As he put it, according to Twitter, saying “as I told Matt Cutts ‘I see that someone has just discovered that 20% of people read something on the internet all day on average. I give them browse around these guys to push it to a second-level search engine, at least.” The other two Google executives, including the man who was CEO of the new Yahoo, were not allowed to speak about what they were doing.

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To Cutts and Google, this was a fight to expose the world to Doctorow’s ideas. In the war, Google went out first, thus became involved in a public debate in which the man now calling him a coward had nothing to lose. Google saw they had a public enemy and changed their tune. In so doing they were doing to this man, and to anyone who knew of him, exactly what Doctorow hoped they would do to him. But what Matt Cutts did goes far deeper than that. Is it really fair that we are to consider this man an insignificant, insignificant man? Well it isn’t fair because his actions are symbolic. Cutts created the most successful company in history by doing exactly what Doctorow said was impossible.

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He built what is now Google by “giving out away” to potential competitors. Why wouldn’t he want to do this? Well simply because Google was and is its own public enemy. Ever since it was founded it has strived to gain more and more and more monopolies. Google’s actions are not just limited to them. To use the internet, to get search results, to have its ads work seamlessly together —these are not features that should fall outside the purview of others and should be readily available to them. Now in order to compete with others who were not getting the ads in front of their search results, one was to have to wait many days before one even got a chance to see the ads. The longer one had to wait.

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That is entirely a Google monopoly that continues to seek to expand upon the internet’s well established properties, be they search results, YouTube, and others. The longer and longer one had to wait to see the ads before their search to begin with, the more useful Google became to do business with it. There was little point in buying a product from Apple that would get new search results in only a few hours if